This is my piece for the Detroit Jewish News on the 17th edition of the Windsor Jewish Film Festival, which gets underway tonight.
The 17th edition of the Ruth and Bernard Friedman Windsor Jewish Film Festival features 10 films
over four days from April 29 to May 2, including the acclaimed new documentary
Who Will Write Our History.
The film is about a
group of writers who kept a secret trove of documents chronicling their conditions
in the Warsaw Ghetto. It will be screened opening night.
The festival,
Windsor’s oldest movie fest, typically features films that celebrate or depict
Jewish culture, including those about the Holocaust.
This year the lineup
includes the comedy Humor Me starring Elliot Gould, the documentary Back to
Berlin, about a group of Israeli motorcyclists who travel to Berlin for the
Maccabi Games, retracing the ride of their forefathers before World War II. There’s
also the film 93 Queen, about a group of Hasidic women in Brooklyn who create
the first all-female ambulance corps. And the Israeli film Shoelaces is a funny
but poignant story of the relationship between a father and his autistic son.
The festival has long
had a dedicated group of programmers who choose from dozens of films for the
event, held at the Devonshire Mall’s Cineplex Odeon theatre. They select movies
based on what has been screened at other festivals and obtain screeners from film
distributors.
“We have a committee
that typically looks at 60 to 90 films a year to pick the 10 for our festival,”
said spokesman and Windsor Jewish Community Centre executive director Jay Katz.
Katz said the fact
the festival screens only 10 films means it’s showing pretty much the cream of the
crop. “With 10 we’re pretty much getting award winners,” he said.
Katz said the programmers
try to create a diverse program.
“They try to make
sure there’s some light-hearted ones because in the genre of Jewish-themed
films there’s a lot about the Holocaust,” he said. But he added it’s “important
to include” the message of the Holocaust because of its centrality to Jewish
history.
The festival was originally
connected with the Lenore Marwil Detroit Jewish Film Festival, which takes
place this May. But it went its separate way many years ago because of a different
film distribution system in Canada.
The festival was
started by Ruth and Bernard Friedman, philanthropists who were known for organizing
a popular community picnic.
“But, you know, tastes
change and communities change and they realized 17 years ago that it would evolve
to having the film festival because the whole community would and does come
together for this,” Katz said.
The festival has almost
two dozen sponsors and with ticket sales it turns a profit, which goes to
support Jewish community programs.
New this year is an educational
component for high school students.
Drawing on funding from the Windsor-based Morris and Beverly
Baker Foundation the festival opened its film vault of more than 100 titles from
almost two decades, and school boards picked films to teach about the
Holocaust.
“We gave them a list of all the films, they went through them
and they took some to screen for their students,” Katz said.
One of them is Defiant Requiem, about the Czech
concentration camp Theresienstadt and a young composer’s efforts to build morale
through the performance of Verdi’s Requiem. Another is Sarah’s Key, the story
of a 10-year-old girl during the round-up of Jews in Paris in 1942. A third is
Le Voyage de Fanny, about the daring escape of school children to Switzerland.
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