Friday, February 14, 2014

Barbmeister, VF over-the-top, Oscar shorts time

One of my favourite entertainment columnists - in fact my only one since I usually hate fawning entertainment gossip – is Doug Camilli. The guy has been zinging barbs against the Hollywood elite for years and that’s why I love him. Few others send up the Clooneys and Roberts and Cruises of the world with a few bon mots like our friend Doug. His column today was typical but aimed in part at people like me. Guilty as charged! He lambasted critics for their love of Greta Gerwig (Damsels in Distress, Frances Ha), the arrived indie star of whom I’ve written previously (June 20, 2012, May 27, 2013) as my new It Girl. “Do you know about Greta Gerwig?” Camilli writes. “All us cool people do. She’s made lots of independent films…So critics love her.” But his barbs weren’t so much aimed at Greta as to the critics (not me) who have castigated the poor woman for going schlock by signing on to a new network TV show, How I Met Your Dad. Camilli is understanding towards her because “indie pictures being what they are, she’s not making any money.” But not so to the outraged critics one of whom dismissed Greta outright for making such a crass move. Says Doug: “Let’s give this thing a chance.” I agree.
 
Since the – yawn – Academy Awards are right around the corner Vanity Fair has come out with its annual Hollywood Issue, the 20th annual in fact. It’s VF’s version of Vogue’s September issue. In other words, thick. 412 pages thick. Since subscribing to VF last year (I’ve since cancelled – lots of froth but little substance) I never realized how female-oriented the magazine is, with the overwhelming number of ads – and there are a lot – fashion or cosmetic oriented. That's an aside. But the Hollywood issue reads like high class porn. There are spreads upon spreads and article upon article of Hollywood then and now. The issue is so rolling in Hollywood grandeur it’s like a very sweet icing, you almost feel sick turning the pages.
 
Windsorites deserve a chance to see some of the movies the Academy will be voting for March 2. This is your chance to see some of the better and under-the-radar films. The Detroit Film Theatre, as it does every year, offers up the month of February for several repeat screenings of a combo of nominated animation and live action shorts. Together they run to three hours (yes there’s an intermission). There are five shorts in each program. Screenings will continue this weekend and wrap up Thursday. You might want to buy tickets online through the DIA’s website (Detroit Film Theatre) www.dia.org as this is a very popular event.


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