As theaters (again) reopen - and at full capacity! - my mind wanders back to various incidents that have occurred to me over the years as I entered or was in the lobbies of theaters. Nothing particularly big or outrageous but small events, often humorous and bizarre, that have stuck in my mind….For example, there was the time long ago at the beautiful, then new and spacious Parkway cinemas in Windsor, which met a premature demise as retail took over that plaza at the corner of Tecumseh Rd. E and Lauzon Pkwy. (i.e., a Winners store). That's when I tried sneaking in with a bag containing my evening's dinner - a Big Mac, fries and a pop - under my jacket. After paying admission and walking up the hallway to the one of five cinemas, the bag dropped to the floor and splattered, just in front of an usher walking towards me…..A few years ago, I was at the recently closed and very lamented Main Art Theatre in Royal Oak, when I casually made a comment to the clerk behind the concessions stand. I’d been a devotee of the Main for decades but noticed that the lobby, with a lounge to the side, always seemed kind of empty. Expanding concessions including, say, hamburgers and other foods, or even beer, would be ideal. In short order I was denounced by the clerk for promoting hateful meat-eating values…..Then there was the once influential Montreal World Film Festival in one of its final years, where I gathered in the lobby of the Imperial Cinema where some major star of the film was meeting the public. A friend and I moved in close. Then I heard someone behind me say, “The nerve of some people” referring to us blocking her getting close to the star; we didn't even know she was there! The next day I spotted this same woman and approached her, explaining what had happened. Without hesitation, she replied, “You’re insane!”....There was also the time at the once iconic but now closed Cumberland theatres in Toronto’s Yorkville - where you took an escalator to get upstairs to the cinemas (photo) - when, waiting my turn at the concession stand, I opened my wallet. I had just been to the ATM and it was stocked with bills. A guy standing behind me saw this and said to his friends, “We should roll this guy!”.....There was also the time in Paris, France, when I wanted to see the film, Stefan Zweig: Farewell to Europe. I was catching a bus for Germany that night so I toted along my suitcase. I was immediately told by an usher that I couldn’t enter the theatre. This was in the immediate aftermath (a year later) of the Bataclan nightclub terrorist attacks and I suppose a parked suitcase posed a threat. This was the only time on my European sojourn where I lost it, angrily showing my displeasure.
Sunday, February 20, 2022
Wednesday, February 9, 2022
The Oscar noms - lost in space
I see that the Oscar nominations are out. Which means that I can’t assess the veracity of the nominations since I haven’t seen most of the films. But I’ll still comment anyway. Dune by Quebec director Denis Villeneuve, came away with 10 minimations. I haven’t seen the movie - mainly because I have no interest in the kind of sci-fi that takes place on other planets - and tried to read the book in college but never got through the first one or two pages. Jane Campion’s The Power of the Dog got 12 nods. I had a chance to see this at Montreal’s Festival du nouveau cinema in October but deliberately passed - I’ve always found Campion’s works plodding and, like sci-fi, I’m really not that into the Wild West. Ditto for Will Smith’s King Richard. I love tennis but not keen on sports films and I hear that Denzel’s character, Serena’s dad, really wasn’t that nice a guy. Ditto most of the other films. Like Kenneth Branagh’s Belfast. I lived through that period (well, actually not in Belfast) and it was a hateful time. And I’m not keen on biopics and ones that don’t ring true, like the film’s Everlasting Love identifying soundtrack. Steven Spielberg’s West Side Story also got seven nominations. Why, oh why, I wondered whenever I saw reference to this film, did Spielberg have to do a remake? I kind of want to see Joel Coen’s The Tragedy of Macbeth even though, truth be told, Shakespearean speech seems, dare I say, a bit incomprehensible (I know I open myself to charges of Philistinism here) . But I heard the film is so great it transcends typical Shakes and I admire the Coens greatly. So we’ll see. Netflix had 27 film nominations for its stable but I cut the Netflix cord some time ago. And why would I want to watch Being the Ricardos (Aaron Sorkin.) when the original I Love Lucy series was so great? I had no interest in seeing the House of Gucci (Ridley Scott), starring of all people Lady Gaga. I mean, really, who’d want to see a movie about nasty Italian fashion glitterati? Don’t even mention Adam Mckay’s climate change diatribe Don’t Look Up, a supposed comedy which is really a humourless look at what the director thinks will be world catastrophe in 15 years - or less - while star Dicaprio parties on his giant yacht in the Mediterranean. I did actually see - yay! - Nightmare Alley. It had its moments I suppose (see Dec. 22 review). But I'd just watched the 1947 version (Edmund Goulding) and found that truer without Guillermo del Toro’s over the top noirish veneer. I love Aretha Franklin but again I really don’t care for biopics so skipped Queen of Soul (Liesel Tommy). As or the others, ditto meh.
Subscribe to:
Posts (Atom)