Tuesday, September 16, 2025

WIFF again aims "to top ourselves" with next month's fest

The Windsor International Film Festival is staging – literally – for the first time a reunion between Newfoundland families and Americans who they hosted on 9/11. It’s a nod to and celebration of the famed musical production Come From Away. The Gander families in the film are being flown in “and they will reunite on stage for the first time at WIFF,” fest director Vincent Georgie says. “That will be the night of nights.” The event, and literally countless others – highly innovative and some for the first time – symbolizes the groundbreaking role WIFF continues to play as a film festival, punching well above its weight for a Canadian midsize or almost any city. Other new events this year will see films from all Canadian provinces and territories in the Canada Coast to Coast category. This continues WIFF’s commitment to championing Canadian film and there will be 10 on tap including Windsor native Matt Gallagher’s Shame about Jason Nassr, the local man behind the video vigilante channel Creeper Hunter TV, which will “create a lot of discussion.” A $25,000 cash prize will be awarded for the best and a new trophy, fabricated by the same company that made the statues for the Emmys and Grammys, will be given. As Georgie said at a news conference today, “do it right!” WIFF also continues to show the largest number of francophone films – more than 60 this year. There will be a spotlight on architecture with four films. There will be book-inspired films, music films, LBGTQ+ films, sports – “so different flavours for all sorts of different folks.” Opening night will show Mile End Kicks from Montreal and closing night will have the new Julia Roberts picture After the Hunt which will “stir the pot,” Georgie predicts. Midway will see controversial Chinese artist Ai Weiwei’s Turandot. Other highlights include Sentimental Value “a sensation at Cannes”, A Private Life starring Jodie Foster performing entirely in French and who is ”incredible,” Kristin Scott Thomas’s autobiographical My Mother’s Wedding starring Scarlett Johansson and The History of Sound with Paul Mescal. Also look for acclaimed Christy starring Sydney Sweeney, Rental Family with Brendan Fraser and Ballad of a Small Player with Colin Farrell and Tilda Swinton. A rare Iraqi film, The President’s Cake, will be featured this year. There will be nods to the anniversaries of classic films like Home Alone, The Shining, Jaws and The Apartment. Other film festivals may leave the kids out but not WIFF, which is presenting family programming with Paw Patrol and The Little Mermaid including character appearances.

- Other familiar categories returning include Women of WIFF showcasing female filmmakers, and the Mark Boscariol 48-Hour FlickFest where local filmmakers create a film in, well, 48 hours, one of the most popular attractions. There will be another section of WIFF local of films vying for a new $3000 prize.

- For the first time the festival will go stateside with free screenings in downtown Detroit of two Canadian films – Oscar winning The Barbarian Invasions and a musical film Play It Loud, How Toronto Got Soul.

- Keeping on the building Canadian filmmaking theme there will be an industry conference October 24 and 25 “to develop our industry" and “build networks, build connections,” Georgie said.

- Globe and Mail critic Barry Hertz will talk about his new “tell all” book on the Fast and Furious franchise. 

- Meanwhile to boost downtown there will be new nighttime lights and a public “soundtrack” playing on the sidewalks around the venues.

- And screening continue to increase "to top ourselves,” Georgie says, year after year with 231 movies on tap with 300 screenings – 141 shown at other festivals – and 111 films will be premiered or haven’t been released previously. Fifty countries will be represented, making it a true international event.  

- The 11-day event runs Oct 23 - Nov 2.


Monday, September 8, 2025

Intriguing, incisive and exasperating, this movie is that absorbing

I'm glad I clicked on Philippe Lesage's 2024 Who By Fire on the almost 12 hour flight back from Athens the other day. This after a couple of other art house/international cinema picks on the same flight - Sunburn from Portugal's Vicente Alves (2018) and 2024'a The Room Next Door, Pedro Almodóvar's first English language film with Tilda Swinton and Julianne Moore (is she in virtually everything these days?). Of the three Lesage's was head and shoulders above the others. When I saw it's length, two-and-a-half hours, it looked a bit daunting. But I took the plunge. And it's the best film I've seen in perhaps a couple of years. Who By Fire of course is a play on Leonard Cohen's song by the same name. But, no, the song is not on the soundtrack and for that, I'm thankful to the director - no need to ram the point home. How should I describe it? It's a meditation and dissection of friendships, coming of age rage, professional rivalry and people vs nature. The film opens with a very long shot of the back of a car driving in the Quebec wilderness, backed by a musical one note. It's eerie and ominous. Those in the car are a father, his two children and a friend. They arrive at a lake where another man, a long time colleague, flies them to his remote lodge. It turns out the two men, Albert (Paul Ahmarani) and Blake (Arieh Worthalter), are esteemed filmmakers. They're also intellectuals. Their initial meeting goes well. But over the course of several days competitive egos start to play havoc. Meanwhile one of the teens, Jeff (Noah Parker)  an aspiring filmmaker, is also sowing his wild oats. His attraction to Albert's daughter Aliocha (Aurelia Arandi-Longpré) is fraught with crude moves. And his despair leads him to a loss in more ways than one. Moreover nature in all its beauty and power is lurking in the background, inspiring and threatening. This is a very "talking" and character-driven movie and those who want "action" will tune it out. But those who like the study of human dynamics and the a slice of the best and worst of human nature will find it intriguing, incisive and exasperating. This movie is that absorbing.